Okinawa-kenpo is a karate style which has been developed based on ancient Okinawan martial arts called "Ti". Its technique and thought were studied and refined by a Tomari-te master, Shinkichi Kuniyoshi (also known as "BUSHI" Kuniyoshi) and passed down to Grand Master Shigeru Nakamura, the founder of Okinawa-kenpo. Grand Master Nakamura opened his own dojo "Okinawa-kenpo Karate-do Shurenjo" at Onaka, Nago city and taught his art of karate.
Written in Japanese.
Japanese fonts required to view this contents
One evening, Lina opened the zine’s feedback thread and found dozens of thoughtful responses—stories about how a tiny animation made someone laugh in a hospital waiting room, or how a habit tracker helped another person write for five minutes a day. The word “better” no longer felt like an empty promise. It was the sum of small, steady choices: fewer flashy promises, more room to try things badly and learn, a place where craft and care mattered more than profile counts.
Lina scrolled through the feed, thumbs hovering over a headline that promised something “better.” She’d learned to distrust big claims: glittering screenshots, five-star blurbs, and communities that felt like echo chambers. Still, curiosity tugged at her—what did “better” actually mean when everyone used it like a spell? sheeshfans com better
She met Mira in a comment thread—an illustrator who used the site to post process shots of character sketches. Mira’s work was honest: rough underdrawings, discarded color passes, the little corrections that made a face feel alive. They messaged, then swapped advice. Lina offered a tiny bit of front-end polish. Mira taught her how to make characters move with only a few lines of CSS. Together they launched a pocket project: an interactive zine for late-night people who loved small, imperfect things. One evening, Lina opened the zine’s feedback thread
Lina started slow. She bookmarked a tutorial about building a simple habit tracker, then an essay about why creators burn out. She tried one suggestion: swap one hour of doomscrolling for tinkering. That hour became two, then three. Her hands learned new rhythms—dragging blocks of code into place, sketching a wireframe on the back of a receipt, fixing a bug at 2 a.m. when everything quieted down. Lina scrolled through the feed, thumbs hovering over
She clicked a link and landed on a corner of the internet that felt different. The layout was spare, honest—no autoplay loops, no screaming banners. People wrote like they were talking to an old friend: messy, candid, proud of small victories. There were guides for bending code into playful tools, threads where someone admitted a rookie mistake and others answered with kindness, and a gallery of projects that solved tiny problems nobody else seemed to notice.
The community wasn’t perfect. Sometimes a conversation nosed into an argument; sometimes eagerness eclipsed skill and projects felt half-baked. But people owned it. Someone patched a messy tutorial. A moderator posted a gentle note about tone. When a newcomer felt lost, three different members showed up with screenshots and encouragement.
Old style karate techniques and training methods still remain in our system. We train with those methods, which are rarely seen in other Ryuha these days.
Tanren-hou (Training method)
Okinawa-sumo (traditional Okinawan wrestling)
Torite (grabbing)
Buki-jutsu (weapons)
Our techniques, from empty hands to weapons,are incorporated in a coherent system and consist of common basic skills.
Historically, Okinawa-kenpo inherited various Kata.
The following is a list of kata which are practiced at Okinawa-kenpo Karate-do, Oki-ken-kai
Karate
Weapons
One evening, Lina opened the zine’s feedback thread and found dozens of thoughtful responses—stories about how a tiny animation made someone laugh in a hospital waiting room, or how a habit tracker helped another person write for five minutes a day. The word “better” no longer felt like an empty promise. It was the sum of small, steady choices: fewer flashy promises, more room to try things badly and learn, a place where craft and care mattered more than profile counts.
Lina scrolled through the feed, thumbs hovering over a headline that promised something “better.” She’d learned to distrust big claims: glittering screenshots, five-star blurbs, and communities that felt like echo chambers. Still, curiosity tugged at her—what did “better” actually mean when everyone used it like a spell?
She met Mira in a comment thread—an illustrator who used the site to post process shots of character sketches. Mira’s work was honest: rough underdrawings, discarded color passes, the little corrections that made a face feel alive. They messaged, then swapped advice. Lina offered a tiny bit of front-end polish. Mira taught her how to make characters move with only a few lines of CSS. Together they launched a pocket project: an interactive zine for late-night people who loved small, imperfect things.
Lina started slow. She bookmarked a tutorial about building a simple habit tracker, then an essay about why creators burn out. She tried one suggestion: swap one hour of doomscrolling for tinkering. That hour became two, then three. Her hands learned new rhythms—dragging blocks of code into place, sketching a wireframe on the back of a receipt, fixing a bug at 2 a.m. when everything quieted down.
She clicked a link and landed on a corner of the internet that felt different. The layout was spare, honest—no autoplay loops, no screaming banners. People wrote like they were talking to an old friend: messy, candid, proud of small victories. There were guides for bending code into playful tools, threads where someone admitted a rookie mistake and others answered with kindness, and a gallery of projects that solved tiny problems nobody else seemed to notice.
The community wasn’t perfect. Sometimes a conversation nosed into an argument; sometimes eagerness eclipsed skill and projects felt half-baked. But people owned it. Someone patched a messy tutorial. A moderator posted a gentle note about tone. When a newcomer felt lost, three different members showed up with screenshots and encouragement.
We, Okinawa-kenpo Karate-do Oki-Ken-Kai, work on in a unit called "Keiko-kai".
is a group of like-minded people to practice Okinawa-kenpo any time and anywhere.
Today, there are Keiko-kai in eight region Japan;
Shihan Yamashiro visits each Keiko-kai regularly, trains them, and conducts open seminars.



Shihan Yamashiro has been invited by masters of other styles, and conducted seminars regularly.



He started practicing karate when he was little with his father, Tatsuo Yamashiro, who inherited "Ti" from Hiroshi Miyazato.
He won 1st place at "All Okinawa Full Contact Fighting with Bogu Gear Tournament" in 1992 and 1993,
Written in Japanese.
Japanese fonts required to view this contents