Check the reopening dates for our areas and sites for the summer season and spring 2026.
Montenvers – Mer de Glace information:
Train closed from May 18th to 22nd, 2026 included
Gondola and Ice Cave closed from May 11th to 29th, 2026 included
Ice Cave closed from May 30th to June 5th, 2026 included
For a day out with friends or family, a discovery weekend, or a short getaway, our mission is to offer you one of the most magical experiences of your life!
Navigate the map to explore all our high-altitude domains and excursion sites!
In the Chamonix Mont-Blanc Valley, at Les Houches - Saint-Gervais, or in Megève.
They called it Namkeen Kisse not for the salt in its words but for the small, sharp truths it left between sentences — a season of mouthful stories, each bite both familiar and strangely new. Episode 15 sat like a folded letter in a crowded pocket: public enough to be overheard, private enough to bruise.
The series peels back the expected melodrama of revenge or redemption and replaces it with a quieter pressure: what does it cost to keep a private kindness secret? To hold harm at arm’s length? To be honest and break someone else’s fragile contentment? Episode 15 is where those pressures converge: secrets that once felt like shelter begin to feel like a slow leak. Namkeen Kisse 2025 S01 ALTBalaji E15 -7starhd.o...
Example: when the protagonist, Rajat, decides whether to return a lost wallet, the act is framed not as legal versus illegal but as an index of how long he can live with his own small forgivable cunning. He imagines the wallet’s owner — an imagined life that grows more detailed until it’s nearly a confession. Returning the wallet becomes less about rightness than about the kind of person he wants to be at thirty-seven. They called it Namkeen Kisse not for the
Example: in a scene set in a late-night dhaba, two strangers debate whether to tell an elderly man his son isn’t coming home. One favors silence, preserving the man’s remaining calm. The other sees truth as an act of service. The episode offers no judgmental finality; instead it holds the moment and asks the viewer to measure their own appetite for truth. To hold harm at arm’s length
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